Category: Sofonisba’s Life
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Sargent & Spain
I did not see much of Sofonisba’s influence at the San Francisco Legion of Honor exhibition Sargent & Spain. I thought I would see her influence since he went to Spain to study the historic painters. But then I saw this painting, and I instantly thought of Sofonisba’s portrait of Eleonora de Medici at the…
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The Queen’s Gambit Meet Lady In Ermine
With the success of The Queen’s Gambit, Sofonisba’s Chess Game is relevant again. Sofonisba wove a narrative of her own Queen’s Gambit right into the game played in her 1555 masterpiece. It’s dramatized in Lady in Ermine, Chapter Four, “The Chess Game.” I think Sofi would enjoy this series and it’s focus on women and…
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Sofonisba’s Legacy of Invezione Today
I’m delighted to read of Genova’s successful near-completion of the bridge that collapsed so very recently, in 2018. It gives me a feeling of optimism, literally a bridge for the future, inspiring. I can’t resist connecting the success of this modern-day project with Sofonisba’s life of creative invention (invenzione/inventione). Sofonisba and her husband lived in…
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The Chess Game
Just last week the Wall Street Journal published an article about hobbies and diversions and referenced Sofonisba’s Chess Game painted in 1555. WSJ spoke of the hobbies that entertained the nobility. What Sofonisba enthusiasts see in the painting is the ingenuity of her work and the subversive messages of female power embedded in the chess…
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Master Sofonisba Anguissola
In honor of Sofonisba’s newly recognized accomplishments and the Prado exhibition of her work, I would like to present her Boy Bitten (drawn for Michelangelo) and her Girl Laughing next to each other to accentuate Sofonisba’s effort. She conceived of these close in time and the figures and positioning show how she experimented with subtle…
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Sofonisba’s Philip II
In honor of Sofonisba Anguissola’s new-found celebrity, I wanted to place her Prado Portrait of Philip II alongside her Portrait of a Spanish Prince (San Diego Museum of Art). Sofonisba did not know Philip as a young child, but perhaps she could envision him as one. As Giorgio Vasari says, Sofonisba had invenzione. Perhaps she…
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Sofonisba and her Portrait of Philip II, King of Spain
On this day, October 21st, in 1561, Sofonisba sent her regrets to Bernardino Campi, “Molto Magnifico Signor Bernardino,” her first trainer, explaining that she could not yet send him a portrait of the king. “Non posso al presente servirlo, come saria mio desiderio.” She was occupied painting the king’s sister Juana and Queen Isabel. In…