Tag: Giorgio Vasari
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Sofonisba’s Inventiveness; Vasari’s Inventione
Given Sofonisba’s 1554 Dominican Astronomer (signed and dated upside down), her nonconformist, voluptuous 1559 Virgin Mary (signed and dated) and her 1578 Madonna dell’ Itria, documented by her official bequest to the monastery (disputed for years as beyond her style), one cannot deny Sofonisba’s range, and the reason Vasari uses the term invenzione to describe her. Which…
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Sofonisba Was Not Always Forgotten
In 1774, Giambattista Zaist wrote Notizie Istoriche de’ Pittori, Scultori, ed Architetti Cremonesi or Historical Notes of Painters, Sculptors, and Architects of Cremona. For seven pages he writes about the accomplishments of Sofonisba Anguissola, recounting her early years, her time in Spain, her long legacy. He concludes with these words, “che superò l’artifizio non solo…
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Sofonisba’s Influence on Giorgio Vasari
The 16th century artist, critic, and historian Giorgio Vasari is best known for his voluminous Lives of the Artists series where he painstakingly documents the biographies and styles of the great Renaissance masters. Master portraitist Sofonisba Anguissola inspired Giorgio Vasari. In 1566, Giorgio went to Cremona in Northern Italy to visit Sofonisba’s childhood home. Sofonisba…
Lady In Ermine: The Story of A Woman Who Painted The Renaissance 